"Have you ever heard of the madman who on a bright morning lighted a lantern and ran to the market-place calling out unceasingly: ‘I seek God! I seek God!’ As there were many people standing about who did not believe in God, he caused a great deal of amusement. Why! is he lost? said one. Has he strayed away like a child? said another. Or does he keep himself hidden? Is he afraid of us? Has he taken a sea-voyage? Has he emigrated? the people cried out laughingly, all in a hubbub. The insane man jumped into their midst and transfixed them with his glances. ‘Where is God gone?’ he called out. ‘I mean to tell you! We have killed him, you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Backwards, sideways, forwards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction? —for even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife—who will wipe away the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it? There never was a greater event—and on account of it, all who are born after us belong to a higher history than any history hitherto!’—Here the madman was silent and looked again at his hearers; they also were silent and looked at him in surprise. At last he threw his lantern on the ground, so that it broke in pieces and was extinguished. ‘I come too early,’ he then said, ‘I am not yet at the right time. This prodigious event is still on its way, and is travelling—it has not yet reached men’s ears. Lightning and thunder need time, the light of the stars needs time, deeds need time, even after they are done, to be seen and heard. This deed is as yet further from them than the furthest star—and yet they have done it!”."

"

The soft whiteness and the gaping blackness, both were perfectly still, all was completely motionless and it was impossible not to be reminded of how much of what surrounded us was dead, how little of it all was alive and how much space the living occupied inside us. This was why I would have loved to be able to paint, would have loved to have the talent, for it was only through painting this could be expressed. Stendhal wrote that music was the highest form of art and that all other forms really wanted to be music. This was of course a Platonic idea, all the other art forms depict something else, music is the only one which is something in itself, it was absolutely incomparable. But I wanted to be closer to reality, by which I meant physical, concrete reality, and for me the visual always came first, also when I was writing and reading , it was what was behind the letters that interested me. When I was outdoors, walking like now, what I saw gave me nothing, snow was snow, trees were trees,. It was only when I saw a picture of snow or of trees that they were endowed with meaning …

This was the problem with all representation, of course, for no eye is uncontaminated, no gaze is blank, nothing is seen the way it is. And in this encounter the question of art’s meaning as a whole was forced to the surface. Yes, OK, so I saw the forest here, so I walked through it and thought about it. But all the meaning I extracted from it came from me, I charged it with something of mine. If it were to have any meaning beyond that, it couldn’t come from the eyes of the beholder, but through action, through something happening, that is. Trees would have to be felled, houses built, fires lit, animals hunted, not for the sake of pleasure but because my life depended on it. Then the forest would be meaningful, indeed so meaningful that I would no longer wish to see it.

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"Now I saw his lifeless state. And that there was no longer any difference between what once had been my father and the table he was lying on, or the floor on which the table stood, or the wall socket beneath the window, or the cable running to the lamp beside him. For humans are merely one form among many, which the world produces over and over again, not only in everything that lives but also in everything that does not live, drawn in sand, stone, and water. And death, which I have always regarded as the greatest dimension of life, dark, compelling, was no more than a pipe that springs a leak, a branch that cracks in the wind, a jacket that slips off a clothes hanger and falls to the floor."